检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:梁燕丽[1] LIANG Yan-li(Department of Chinese Literature,Fudan University,Shanghai 200433,China)
机构地区:[1]复旦大学中文系,上海200433
出 处:《厦门大学学报(哲学社会科学版)》2023年第6期81-93,共13页Journal of Xiamen University(A Bimonthly for Studies in Arts & Social Sciences)
基 金:国家社会科学基金重大项目“百年台湾文学中的中华民族叙事研究”(19ZDA279)。
摘 要:民族寓言是民族叙事的一种独特形式,台湾地区百年话剧的民族寓言包括原型叙事、历史叙事和乌托邦叙事等。原型叙事作为文化记忆与集体潜意识的民族寓言,体现在《琴韵千秋》《楚汉风云》《和氏璧》等剧目中,知音、君子、英雄等“原型”意象隐藏着文化特质和人格,以新型话剧形式,延续中华民族的文化根脉和文化精魂。历史叙事作为历史记忆与现代转型的民族寓言,体现在《国姓爷》《阉鸡》《胜利进行曲》《光复进行曲》《牛犁分家》等剧目中,以个人和家庭的故事展现台湾地区人民在荷占和日据时期集体的反抗斗争和后殖民论述,也展现台湾地区人民和祖国血脉相连的认同感和归属感。乌托邦叙事作为社会理想与现实指涉的民族寓言,体现在《猪八戒做和尚》《武陵人》《暗恋桃花源》等剧目中,“桃花源”作为中国人理想世界的象征,在台湾地区剧场重生,创造乌托邦叙事的民族寓言。民族寓言使台湾地区话剧激活深厚的民族文化底蕴,蕴含集体无意识能量,焕发出更加璀璨的理想色彩和艺术光芒。National allegories are a distinctive form of national narrative.In Taiwan Residents region drama of the last century,national allegories encompass archetypal narratives,historical narratives,and utopian narratives.Archetypal narratives,such as The Melody of the Qin,The Epic of the Chu and Han,and The He Jade,utilize"archetypal"imagery like soulmates,gentlemen,and heroes to convey cultural traits and personalities.These narratives,presented in a new form of drama,continue the cultural roots and essence of the Chinese nation.Historical narratives,found in plays like Lord of the Nation,Castrated Chicken,March of Victory,March of Liberation,and The Separation of the Ox and the Plow,depict individual and family stories that reflect the collective struggle of Taiwan Residents region people during Dutch and Japanese occupations.They also explore post-colonial discussions and highlight the Taiwan Residents region people's sense of identity and connection to their homeland through bloodlines.Utopian narratives,seen in plays like Zhu Bajie Becomes a Monk,The Man from Wuling,and Secretly in Love with the Peach Blossom Spring,embody social ideals and realities.The symbol of the Peach Blossom Spring,representing an ideal world for the Chinese people,is reborn in Taiwan Residents region theater as a national allegory of utopian narratives.National allegories in Taiwan Residents region drama activate the deep cultural heritage of the nation,manifest the energy of the collective unconscious,and radiate with idealistic colors and artistic brlliance.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:18.216.7.205