壮族歌圩起源与发展的人类学阐释  

Anthropological Interpretation of the Origin and Development of Zhuang Folk Song Festival

作　　者：沈韬 SHEN Tao(School of Literature/School of Journalism and Communication,Guangxi Normal University,Guilin 541006,China)

机构地区：[1]广西师范大学文学院/新闻与传播学院,广西桂林541006

出　　处：《清远职业技术学院学报》2023年第6期15-22,共8页Journal of Qingyuan Polytechnic

基　　金：2022年广西研究生教育创新计划项目“广西壮族歌圩的审美范式与丝路传播”(YCSW2022172)。

摘　　要：歌圩是广西壮族地区一个极具特色的文化与艺术符号,其诞生之初的原语境与当地的地理条件、社会环境、人文土壤等因素密切相关。以之为前提,再以人类学的角度重新审视,有助于重新把握与整合歌圩在历史长河中阶段性的发生机制和发展形态,以及其时壮族人民参与歌圩的动机、心理状态与目的,并阐释歌圩对于壮族人民的符号意义。通过观察人类社会与歌圩发展双向互动,更好地理解歌圩的内涵与重要价值。Zhuang Folk Song Festival is a very distinctive cultural and artistic symbol in Guangxi Zhuang region.The original context of its birth is closely related to the local geographical conditions,social environment,cultural soil and other factors.Re-examination from the perspective of anthropology based on the above-mention premise is helpful to grasp and integrate the occurrence mechanism and development form of Zhuang Folk Song Festival in the long history of mankind,as well as the motivation,psychological state and purpose of the Zhuang people to participate in Zhuang Folk Song Festival at that time,and then the symbolic significance of Zhuang Folk Song Festival to the Zhuang people is revealed.By observing the two-way interaction between human society and the development of Zhuang Folk Song Festival,the connotation and important value of Zhuang Folk Song Festival are better understood.

关 键 词：歌圩 艺术符号 人类学 壮族文化 

分 类 号：G812.47[文化科学—体育学]