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作 者:刘健婷[1] 杨卉[1] LIU Jianting;YANG Hui(School of Art,Nanchang University,Nanchang 330000,China)
出 处:《南昌师范学院学报》2023年第5期35-40,共6页Journal of Nanchang Normal University
基 金:江西省高校人文社会科学研究项目“音乐人类学视域下的江西音乐文物研究”(YS18108)。
摘 要:江西省鹰潭市贵溪县(今贵溪风景区)于1979年出土了一批战国早期的墓葬,经考证确定为古“干越”遗属。墓葬中出土了三件乐器,它们具有典型的古越族符号表征,同时又与中原地区出土的同时期同类器物存在一定共性。通过对贵溪崖墓出土乐器与相关古籍、文献的二元印证,试图考证贵溪崖墓出土乐器的种类及属性。并以此为切入点,结合古干越族群的族属特质,探究战国时期该族群的音乐状况,进一步阐释外部因素和内在观照对古干越族音乐型态的影响。A group of early Warring States period tombs was unearthed in Guixi County,Yingtan City,Jiangxi Province(now the Guixi Scenic Area)in 1979,confirmed through research to be relics related to the ancient“Ganyue”civilization.Three musical instruments were unearthed from the tombs,bearing typical symbols representing the ancient Yue culture,while also sharing certain similarities with contemporaneous instruments found in the Central Chinese Plains region.This essay,through a dual verification of the musical instruments unearthed from the Guixi cliff tombs and relevant ancient texts and documents,attempts to determine the types and characteristics of these instruments.Using this as a starting point,it combines the ethnic traits of the ancient Ganyue group to explore the musical situation of this group during the Warring States period.Furthermore,it seeks to explain the impact of external factors and internal perspectives on the musical forms of the ancient Ganyue ethnic group.
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