新中国初期马克思主义话语权生活化建构探赜——以电影为考察对象  

On the Construction of the Marxist Discourse Power in Daily Life in the Early Years Since the Founding of the PRC——A Study from the Perspective of the Chinese Films

作　　者：朱斌 ZHU Bin(School of Marxism,South China Normal University,Guangzhou,Guangdong 510642)

机构地区：[1]华南师范大学马克思主义学院,广东广州510642

出　　处：《中国延安干部学院学报》2023年第2期52-61,共10页Journal of China Executive Leadership Academy Yan’an

基　　金：2021年度国家社科基金一般项目“新民主主义革命时期党的意识形态生活化研究”(21BDJ065)。

摘　　要：新中国成立后,中国电影进入一个崭新的社会文化语境,作为日常娱乐的电影活动也以有序的方式进入到具有高度规范性、系统性和层级性的政治模式中。党和政府通过禁止与批判好莱坞电影,为日常娱乐中马克思主义话语权建构扫除思想障碍;译制与放映苏联影片,为日常娱乐中马克思主义话语权建构提供“他者”元素;创作与提升国产影片,为日常娱乐中马克思主义话语权建构提供主渠道。新中国成立初期的电影使人民在娱乐的同时接受了爱国主义和社会主义教育,成为一种政治思想建设的重要手段。As the founding of the People's Republic of China brought Chinese films into a new social and cultural context,the film industry in China,as a form of daily entertainment,also entered a highly standardized,systematic,and hierarchical political model in an orderly manner.The Party and government took some measures to construct the discourse power in daily entertainment,for instance,to ban and criticize Hollywood films to clear the ideological barriers,translate and show some Soviet films to the public to provide the"other"element,produce and improve China-made films to provide the main channel for the construction.The films in that period not only entertained the people,but also gave them patriotic and socialist education,and hence became an important means of political and ideological construction.

关 键 词：新中国 电影 马克思主义话语权 

分 类 号：D619[政治法律—政治学] K27[政治法律—中外政治制度]