大别山红色电影馆文化资本再生产的人类学阐释  

An Anthropological Interpretation of the Reproduction of Cultural Capital at the Dabie Mountain Red Film Museum

作　　者：余承周[1] 万莉[1] 杨承愉 Yu Chengzhou;Wan Li;Yang Chengyu(School of Journalism and Communication,Anhui Radio,Film and Television Vocational and Technical College,Hefei 230011,China;Dabie Mountain Red Film Exhibition Hall,Hefei 230031,China)

机构地区：[1]安徽广播影视职业技术学院新闻传播学院,合肥230011 [2]大别山红色电影展览馆,合肥230031

出　　处：《大理大学学报》2023年第11期60-64,共5页Journal of Dali University

基　　金：安徽省教育厅人文社科重点项目(SK2021A1048);安徽省教育厅教学研究项目(2021jyxm0228)。

摘　　要：大别山红色电影馆是将红色电影资本进行经济资本的积累,之后将社会资本转换成文化资本,在特定的文化场馆中“展演”。红色电影是具有特定文化意涵的电影文本,其中具备表现的精神和身体的持久“性情”,红色电影具有持续的“革命”和“斗争”的文化“性情”。作为一种文化实体,它与所依托的地理、人文环境相互依托,形成自身独特的制度、客观和具体形态。焦虑和缺乏信任是现代社会的集体症候,接近红色电影的内在动机源于社会对稳定和信任的期望。The Dabie Mountain Red Film Museum is a form of"exhibition"in a specific cultural venue after accumulating the red film capital for economic capital.The red film is a film text with a specific cultural meaning,which embodies the spirit and the lasting"temperament"of the body.Red movies show the continuous culture of"revolution"and"struggle".As a cultural entity,it depends on its geographical and human environment,forming its own unique system,objective and specific form.Anxiety and lack of trust are collective symptoms of modern society,and therefore the internal motivation close to red movies originated from society's expectations of stability and trust.

关 键 词：大别山红色电影展览馆 文化资本 再生产 实践结构 人类学 

分 类 号：G2[文化科学]