“数码人工环境”与网络文学专业批评  

The"Digital Artificial Environment"and Professional Criticism of Online Literature

作　　者：邵燕君[1] Shao Yanjun

机构地区：[1]北京大学中文系,北京100871

出　　处：《中国文学批评》2023年第4期32-42,187,188,共13页Chinese Journal of Literary Criticism

基　　金：教育部哲学社会科学研究重大课题攻关项目“中国网络文学创作、阅读、传播与资料库建设研究”(19JZD038)阶段性成果。

摘　　要：“数码人工环境”是几位“网生一代”学者提出的新概念,这一概念的提出使网络文学研究提升到了一个新的理论维度,一些长期含义不明、争论未决的问题--如网络文学的“网络性”、网络文学的定义、网络文学独立的评价体系等--获得了理论突破。这一概念的提出,也为学院派建立专业批评提供了新的动力和要求。一些任务和方法更明确了,如倡导“学者粉丝”立场方法的必要性、掌握“数字人文”方法的迫切性、建立“学院榜”的重要性,以及鼓励原创理论并主动开启与传统理论对话的可能性。As a new concept proposed by several scholars of net generation,digital artificial environment has escalated the research of online literature to a new theoretical dimension.The proposal of this concept also provides new impetus and requirements for academic school to construct professional criticism.A number of tasks and methods have been further clarified,such as the necessity of advocating for a"scholar fan"stance and approach,the urgency of mastering digital humanities methods,the importance of establishing academic rankings,and the possibility of encouraging original theories and proactively opening up dialogues with traditional theories.

关 键 词：数码人工环境 网络性 想象力环境 数据库 

分 类 号：I206.7[文学—中国文学]