英剧《黑镜:急转直下》中人物对白的言外行为研究  

A Study of the Dialogue of the Characters in the British Drama Black Mirror: Nosedive

作　　者：梅靖琳 MEI Jinglin(International Chinese College,Shaanxi Normal University,Xi'an Shaanxi,710061,China)

机构地区：[1]陕西师范大学国际汉学院,陕西西安710061

出　　处：《文化创新比较研究》2023年第28期11-14,共4页Comparative Study of Cultural Innovation

摘　　要：在电影、电视剧中所有说出的台词都叫对白,亦称“台词”。指影片中由人物说出来的语言或人物与人物之间的对话。对白是人物形象构建、表现人物交际、推动故事情节发展的重要手段。1955年,奥斯汀提出了言语行为理论,他提出“施事话语”和“记述话语”区分说,后他又提出了言语行为三分说:言内行为、言外行为和言后行为。该文以英剧《黑镜:急转直下》中人物对白为例,从言语行为理论的角度,着重分析人物对白的言外行为,阐释人物对白的语用意义。从中可以得出,分析人物对白的言外行为具有交际价值,可以更好地了解作品中人物想要表达的真实想法,对了解现实交际中对方话语的深层含义,更加得体、恰当地完成交际目的具有重要作用。In 1955,Austin introduced Speech Act Theory,wherein he initially differentiated between"illocutionary speech acts"and"perlocutionary speech acts".Later,he further developed a tripartite division of speech acts,encompassing locutionary acts,illocutionary acts,and perlocutionary acts.Using the character dialogues from the British TV series Black Mirror:Nosedive as a case study,this paper employs the perspective of Speech Act Theory to specifically analyze the implicatures within character dialogues,aiming to elucidate the pragmatic significance of these dialogues.This analysis leads to the conclusion that studying the implicatures in character dialogues contributes to a deeper understanding of the characters'true intentions within the narrative.Moreover,it offers a valuable reference for better comprehending the underlying meanings of others'speech in real-life communication,thereby facilitating more precise and appropriate interpersonal communication.

关 键 词：人物对白 言语行为理论 言外行为 言外行为三分说 语用学 英剧《黑镜》 

分 类 号：J905[艺术—电影电视艺术]