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作 者:陆一 郑巨欣 LU Yi;ZHENG Ju-xin(School of Handmade Arts,China Academy of Art,Hangzhou,Zhejiang 310002)
机构地区:[1]中国美术学院手工艺术学院,浙江杭州310002
出 处:《艺术百家》2023年第5期141-148,共8页Hundred Schools In Arts
基 金:2022年度国家社科基金冷门绝学研究专项学术团队项目“中华传统手工艺术语整理、诠释与图释研究”(项目编号:22VJXT004)阶段性成果之一。
摘 要:在佛教僧服形象中,有一种一块方布覆盖头部及后背的服饰样式,名曰“覆头裹背式僧服”,相较于其他样式,其受到的关注较少。此类样式经常被早期的林间坐禅僧使用,甚至延续到现在的僧服之中。论文梳理辨析此类僧服样式的形象在古印度、龟兹、吐峪沟、敦煌、云冈等地的流传变化,结合新见南涅水石刻、晋城北齐昙始造像碑座上的交领覆头裹背式图像,探寻此类僧服样式在北地汉化进程中对左衽右衽的选择以及在禅修实践中的使用情况。Among the Buddhist monk clothing images,there is a kind of clothing image covering the head and back,which has received less attention compared with other styles.However,this way of dressing was often used by the earlyforest Zen monks,and even continued to wear the monk's clothing today.This paper analyzes the spread and change of this kind of monk costume image in ancient India,Qiuci,Tuyugou,Dunhuang,Yungang and other places.Combined with the newly seen Nannieshui stone carving and the image of covering head and wrapping back on the tablet seat of the North Qi in Jincheng,this paper explores the choice of this kind of monk clothing style in the process of Sinicization in the North and its use in meditation practice.
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