《河边的错误》:文学的资源与改编的突破  

Only the River Flows: A Breakthrough to Resource and Adaption of Literature

作　　者：程波 Cheng Bo

机构地区：[1]上海大学上海电影学院 [2]上海温哥华电影学院

出　　处：《电影艺术》2023年第6期62-65,共4页Film Art

摘　　要：电影《河边的错误》找到了作者性和类型感的平衡,对余华原作小说取舍精巧有效,张扬出来的“悬念感”“状态感”“荒诞感”和“生活质感”很有说服力,转化出来的奇观性、诗性、元电影元素也凸显出导演的个人风格。电影对于文学资源的挖掘和使用充分,并突破了不少改编可能面临的风险:从情节上说,增删有度,替代合理;从叙事风格上说,有着清晰的从“无主体话语”向“主人公话语”的演进;从视觉风格上说,营造了一种从迷离到清晰的时空感。The adaption of movie Only the River Flows realized a balance between authorism and genre. It made exquisite and effective choices from Hua Yu's original novel. It is very convincing regarding sense of state, suspense, absurdity and life quality. The director's personal style also can be dramatized from the movie's spectacularity, poetic feature, and meta-cinema factor. This movie made full use of the literature resource and had a breakthrough to risk which is quite common in adaption. From plot perspective, the degree of replacement or addition and deletion was very proper. From narrative style perspective, it has a very clear evolution from subjectless discourse to protagonist discourse. From visual style perspective, it established a kind of spatiotemporal sense which is blurred while at the same time distinct.

关 键 词：文学的资源 改编 悬念感 状态感 生活质感 

分 类 号：J905[艺术—电影电视艺术] I207.425[文学—中国文学]