万玛才旦与电影法门  

Cinema Famen:In Memory of Pema Tseden

作　　者：王小鲁 Wang Xiaolu

机构地区：[1]中国电影艺术研究中心

出　　处：《电影艺术》2023年第6期88-94,共7页Film Art

摘　　要：万玛才旦的作品具有丰富的异质性元素,他本人也是一位拥有深刻个性的导演,他的作品作为文本和他本人作为文本,为中国电影增加了多元性与活力。他的影片既对藏族传统文化进行了祛魅,同时也对其进行了现代转化,并保留了超验的维度。“电影法门”和“第四电影”这两个概念提供理解万玛才旦作品的新角度,也希望以此揭示他所处的文化地形和文化地势,以及他的电影行动所具有的文化意义。万玛才旦的去世是电影界的损失,研究他的电影是对他最好的纪念。Pema Tseden's works have rich heterogeneity elements, and he himself is a director with profound personality. His works, as well as his own text, have added diversity and vitality to Chinese cinema. His films not only disenchanted traditional Tibetan culture, but also transformed it into a modern form, retaining a transcendental dimension. The concepts of “Cinema Famen” and “the Fourth Film” provide a new perspective for understanding the works of Pema Tseden, using the concepts, and also hopes to reveal his cultural terrain and status, as well as the cultural significance of his film actions. Pema Tseden's death is a loss for the film, and study his films is the best memorial to him.

关 键 词：藏语电影 法布施 出离心 空性 电影史 

分 类 号：J911[艺术—电影电视艺术]