爱森斯坦的“未竟之作”——重访《论立体电影》遗稿  

Eisenstein's “Unfinished Magnum Opus”: Revisiting the Manuscript of On Stereocinema

作　　者：汤雪灏 Tang Xuehao

机构地区：[1]西南大学新闻传媒学院

出　　处：《电影艺术》2023年第6期95-101,共7页Film Art

摘　　要：《论立体电影》是爱森斯坦生命末期未完成的诸篇遗作之一,它以极其广博的视野对当时出现在苏联的新兴媒介立体电影进行了追溯与展望。通过“媒介考古学”式的方法,爱森斯坦从绘画、戏剧、建筑等艺术形式中追寻“立体”的渴望。他将立体电影视为戏剧(电影)艺术发展的最终形态,认为戏剧艺术中的某些结构性问题在立体技术的媒介环境中能够迎刃而解。他还再度回到青年时期便十分感兴趣的精神分析理论,将立体电影作为开启精神分析理论思考的对象。The article On Stereocinema(1947) is one of Eisenstein's unfinished works from his late life. With an expansive perspective, it retrospectively traces and anticipates the emerging medium of stereoscopic film in the Soviet Union. Employing a “media archaeology” approach,Eisenstein explores the desire for “stereoscopy” across art forms such as painting, drama, and architecture. He views stereoscopic film as the ultimate form of theatrical(cinematic) art, suggesting that certain structural issues in dramatic art can find resolution in stereoscopic technology's technical environment. He also revisits the domain of psychoanalysis, which captivated him during his youth, considering stereoscopic film as a catalyst for psychoanalytic theoretical contemplation.

关 键 词：爱森斯坦 立体电影 媒介考古 戏剧框架 精神分析 

分 类 号：J905[艺术—电影电视艺术]