反思欧洲政治电影中的指控性记忆与新纳粹主义  

Reflecting on Accusatory Memory and Neo-Nazism in European Political Films

作　　者：张涛 Zhang Tao

机构地区：[1]中央戏剧学院电影电视系

出　　处：《电影艺术》2023年第6期109-115,共7页Film Art

摘　　要：从20世纪80年代到21世纪20年代,部分欧洲政治电影聚焦于二战前后的反犹主义、纳粹主义并形成互文书写。多代际多国别导演先是关切现实语境并作出指控性记忆的拷问,又集体转向围绕新纳粹主义的创作。通过对相关影片深入读解,寻求反犹主义、纳粹主义和新纳粹主义三者之间演变轨迹,解析在不同时态下的典型特征及交错复杂的逻辑关联,会发现对时代之镜的深层焦虑性症候和警世之声,进而重寻电影艺术穿越历史、连接现实、介入真实、接近真相的重要意义。From the 1980s to the 2020s, some European political films have focused on the intertextual narratives of anti-Semitism and Nazism before and after World War II. Across multiple generations and nationalities, directors initially engaged with the context of contemporary issues and produced accusatory memories. They later collectively turned their attention to the creation of narratives around neo-Nazism. By conducting an in-depth analysis of relevant films, this study seeks to trace the evolution of anti-Semitism, Nazism, and neo-Nazism, elucidating their typical characteristics and intricate logical connections in different temporal contexts. It reveals the deep-seated anxieties and cautionary voices of the authors regarding the mirror of their times.Rediscovering the significance of film art in traversing history, connecting with reality, engaging with truth, and approaching the truth.

关 键 词：反犹主义 纳粹主义 新纳粹主义 平庸之恶 封闭空间 画面基调 

分 类 号：J905[艺术—电影电视艺术] D066[政治法律—政治学]