当代西非元电影创作中的媒介批判意识  

Media Critical Consciousness in Contemporary West African Meta-Film Creation

作　　者：王献 Wang Xian

机构地区：[1]北京大学新闻与传播学院

出　　处：《电影艺术》2023年第6期116-122,共7页Film Art

摘　　要：自电影成为全球性大众文化工业以来,非洲在其中常常处于“被言说”的境况。在本土录像电影开始广泛流行的世纪之交,具有媒介批判意识的西非影人以元电影戏仿包括非洲经典电影在内的主流电影,以本土观众的视角为出发点,解构传统电影媒介形态所造就的话语机制和主流电影史叙述。元电影成为当代非洲电影从精英语汇走向多元化叙述的重要隐喻和启迪。同时,导演们还以电影丰富的结构反思既有广播、文学等媒介的影响,以跨媒介戏仿的手法对话大叙事。Since the rise of global cinema industry, Africa has often been in a passive situation. At the turn of the century when local video movies began to be widely popular, West African filmmakers with media critical consciousness parodied mainstream film's forms and content including African classic movies, based on the perspective of local audiences, deconstructing the discourse mechanism and mainstream film history narrative created by traditional movie media forms. Meta-cinema has become an important metaphor and enlightenment for contemporary African cinema to move from elite culture to diversified narratives. At the same time, directors also reflect on the influence of existing media such as broadcasting and literature with the specific structure of films, and dialogue with grand narratives through cross-media parody.

关 键 词：非洲电影 戏仿 元电影 西非电影 诺莱坞 

分 类 号：J904[艺术—电影电视艺术]