左联刊物的电影批评与媒介影响——以1932年的《电影艺术》为考察中心  

Film Criticism and Media Influence of the Left-wing Film Publications: Focusing on Film Art of 1932

作　　者：雍文昴[1,2] Yong Wenmao

机构地区：[1]中国艺术研究院艺术学研究所 [2]中国文艺评论家协会

出　　处：《电影艺术》2023年第6期152-158,共7页Film Art

摘　　要：左联时期的刊物《电影艺术》创刊于1932年7月,虽前后只出版了4期,但所刊发的文章却体现出了鲜明的时代意识和开阔的批评视野。随着1933“中国电影年”的到来,这些文章中所提到的问题,在电影创作上均起到了相应的影响,并由此带来了产业自主与内容理性等多方面的积极转向。《电影艺术》在电影批评上的尝试起到了重要的承前启后作用,从中亦可看到艺术批评与艺术创作之间相互联动的媒介时代特色,对于当下有效艺术批评的建立也具有一定的启发与借鉴价值。The left-wing film publication Film Art was founded in July 1932. Although it published only four issues, the articles it published reflected a clear sense of the time and a comprehensive critical perspective. With the advent of the “Chinese Film Year” in 1933, the issues discussed in these articles had certain impacts on film production, therefore bringing about positive changes in various aspects such as industrial independence and content rationality. The attempt of Film Art in film criticism has played an important role in connecting the past and the future, which shows the characteristics of the media era where art criticism and artistic creation are interconnected, and also has certain inspiration and reference value for the establishment of effective art criticism at present.

关 键 词：左联 中国电影年 《人道》 《三个摩登女性》 电影批评 

分 类 号：J905[艺术—电影电视艺术] K26[历史地理—历史学] G239.29[历史地理—中国史]