舞台服饰外观与角色身份建构研究——以日本视觉系摇滚乐队Malice Mizer为例  

Research on Stage Costume Appearance and Role Identity Construction:Taking Japanese Visual Kei Rock Band Malice Mizer as an Example

作　　者：韩晓田 康洁平[1] HAN Xiaotian;KANG Jieping(Beijing Institute of Fashion Technology,Beijing 100029,China)

机构地区：[1]北京服装学院,北京100029

出　　处：《西部皮革》2023年第21期128-130,共3页West Leather

摘　　要：舞台表演服饰向观众展示了表演角色性别特征、年龄、职业群体和阶级等讯息,这种非语言的外观讯息直观地对人物身份进行了建构与表达。文章从服装社会心理学的视角,将日本视觉摇滚乐队Malice Mizer作为研究对象,从身份个性的表达以及艺术表现力两个角度入手,分析乐队成员表演服装、化妆、发型等方面的表现特点,旨在揭示Malice Mizer表演者使用服饰在塑造自己的独特表演身份形象上的动机、方法与作用,为舞台表演者的服饰选择策略提供参考。Stage performance costumes show the audience the character's gender,age,occupation,class and other information.It is a unique non-verbal message that constructs and expresses the character's identity.From the perspective of clothing social psychology,the paper takes the Japanese visual rock band Malice Mizer as the research object,starts with the expression of identity personality and artistic expression,and analyzes the characteristics of the band members'clothing,makeup,hairstyle,etc.,aiming at revealing the motives and methods of Malice Mizer performers using costumes to shape their own unique performance identity image,and providing a reference for stage performers'costume selection strategies.

关 键 词：舞台服饰 视觉系 服饰选择 

分 类 号：TS942.8[轻工技术与工程—服装设计与工程] J604.6[艺术—音乐] J812