“雕画汉韵”数字艺术特展——一个不可移动文物数字展示模式的创新  

The Digital Art Exhibition Han Dynasty Charm in Carving:an Innovative mode of the Digital Display of Immovable Cultural Objects

作　　者：邓又溪 郭振[1] 柴秋霞[1] Deng Youxi;Guo Zhen;Chai Qiuxia(Department of Cultural Heritage and Museology,Fudan University,Shanghai,200433)

机构地区：[1]复旦大学,上海200433

出　　处：《中国博物馆》2023年第5期101-106,128,共7页Chinese Museum

基　　金：2022年复旦大学人文社会科学先导计划项目支持。

摘　　要：在不可移动文物数字展示的当前模式中,较为明显地表现出数字展示的眼球效应与文化传承创新的持续效应之间合而不融,这使得大部分数字展示面临“数字拼贴”的问题。结合案例“雕画汉韵”数字艺术展的实践经验提出:不可移动文物的原境特征与历史场景,可在数字技术辅助下融入时代场景;观众共时共在的文化体验,通过数字艺术的创作来实现和创新;在与相关作品的互动中,观众能获得对不可移动文物及其历史内涵的主体性认知。At present,the common mode of digital display of immovable cultural objects remains difficult to integrate the attention effect and the continuous effect of cultural promotion and innovation,which makes most digital exhibitions face the problem of"digital collage".Based on the case of the Han Dynasty Charm in Carving digital art exhibition,this article proposes that the original features and historical context of immovable cultural objects can be integrated with present scene through digital technology.The creation of digital art can realize and innovate immersive time and space experience for visitors.Visitors can obtain subjective cognition of the objects and their historical connotations by interactingwithrelevantartworks.

关 键 词：博物馆 雕画汉韵 不可移动文物 数字展示 数字艺术 

分 类 号：G265[历史地理—考古学及博物馆学]