舞蹈的本体论、主体性与现代意识——中国舞蹈的“1988”回望  

Ontology,Subjectivity,and Modern Consciousness of Dance:Review on the Chinese Dance in 1988

作　　者：于平[1] 邱宇[1] YU Ping;QIU Yu(School of Dance,Nanjing University of the Arts,Nanjing 210013,China)

机构地区：[1]南京艺术学院舞蹈学院,南京210013

出　　处：《北京舞蹈学院学报》2023年第4期15-32,共18页Journal of Beijing Dance Academy

基　　金：国家社科基金艺术学重大项目“当代中国舞剧的历史脉络、创作实践与发展态势研究(1949—2019)”(项目编号19ZD17)阶段性成果。

摘　　要：1988年是龙年,这一年的《舞蹈》杂志开辟专栏研讨“舞蹈本体”。这个研讨是新时期以来中国舞蹈学术界进行的最具学术性的探讨。鉴于这个研讨具有较长的时间跨度,本文分三个时段加以述评。与之相关,这一年的舞蹈实践也是重要事象频现,本文择其硕者分别提取了“纪念贾作光艺术生涯五十周年”活动、《杨丽萍舞蹈晚会》、“’88舞剧创作研讨会”和《胡嘉禄现代舞作品晚会》,对其重要意义进行了梳理和评析。从“龙年笔会”和四起重要舞蹈实践的“回旋式”回望中,把握当时舞蹈学术界对舞蹈的本体论、主体性与现代意识的关注与呼唤。The year 1988 was the Year of the Dragon when the Dance magazine opened a column to discuss the“ontology of dance”.It was a crucial discussion for the Chinese dance academic circle since Opening and Reform.Given the long span of this topic,the paper review it by dividing it into three periods.Besides,it was also a year of dance practice when many important events took place.The paper selects representative activities such as“Commemorating the 50th Anniversary of Jia Zuoguang's Artistic Career”“Dance Performance by Yang Liping”“Dance Drama Creation Seminar 1988”“Performance of Hu Jialu's Modern Dance Works”and analyzes and evaluates their significance.By conducting a“convoluted”review of the“Dragon Year Pen Club”and four important dance practices,it focuses on the ontology,subjectivity,and modern consciousness of Chinese dance concerned by the academic circle at that time.

关 键 词：龙年笔会 舞蹈本体 生命意识 贾作光 杨丽萍 舒巧 胡嘉禄 吴晓邦 

分 类 号：J702[艺术—舞蹈]