创造“中国性”:国标舞艺术表演舞的舞台实践与文化逻辑  

Creating“Chineseness”:Stage Practice and Cultural Logic of Ballroom Art Performance Dance

作　　者：任文惠[1] REN Wen-hui(School of Humanities,Beijing Dance Academy,Beijing 100081,China)

机构地区：[1]北京舞蹈学院人文学院,北京100081

出　　处：《北京舞蹈学院学报》2023年第4期33-40,共8页Journal of Beijing Dance Academy

基　　金：北京市社会科学基金一般项目“中国舞蹈‘当代性’创作实践与理论研究”(项目编号22YTB020)阶段性研究成果。

摘　　要：国标舞艺术表演舞是国家艺术组织、学科体制、舞蹈比赛评价体系多重力量发展下的产物,其发生尽管带有西方表演舞的共通性,但始终伴随着在世界语境中建构中国形象的文化使命。艺术表演舞通过经典改编的文化隐喻、中国元素的国潮赋形、现实主义的表意优先、红色文化的精神浸润等“中国性”舞台实践方式,最终达成中国国标舞自身文化主体性的建构诉求,体现中国当代舞蹈艺术共同的价值追求。The ballroom art performance dance is the product of national art organizations,discipline system,and dance competition evaluation system.Although its occurrence shares common features with Western show dance,it has always been accompanied by the cultural mission of shaping China's image in the global context.Through the cultural metaphors adapted from classics,Chinese elements shaped by the China-Chic,the prioritized expression of realism,the spiritual uplift of red culture,and other forms of stage practices with“Chineseness”,art performance dance eventually achieves its pursuit of cultural subjectivity as a Chinese ballroom dance,which reflects the common value pursuit of Chinese contemporary dance.

关 键 词：国标舞艺术表演舞 中国性 文化主体性 

分 类 号：J702[艺术—舞蹈]