20世纪50年代海南舞蹈发展史补遗——海南舞蹈艺术家蒙发桢口述研究  

Addendum to History of Dance Development in Hainan Province in the 1950s:an Oral Study of Hainan Local Dance Artist Meng Fazhen

作　　者：康可可[1] KANG Ke-ke(School of Music and Dance,Hainan University,Haikou 570228,China)

机构地区：[1]海南大学音乐与舞蹈学院,海口570228

出　　处：《北京舞蹈学院学报》2023年第4期63-69,共7页Journal of Beijing Dance Academy

基　　金：海南省哲学社会科学规划课题“海南当代舞蹈史研究(1950-1966)”(项目编号JD(ZC)20-20)研究成果之一。

摘　　要：20世纪50年代,海南的舞蹈事业从无到有,蓬勃发展,备受学界关注。然而,目前的研究大多围绕“黎族舞蹈之母”陈翘展开。文章通过对海南舞蹈艺术家蒙发桢的口述研究,考察20世纪50年代海南舞蹈艺术事业起步与发展的历史,并结合他的创作经历,探讨当时海南舞蹈艺术事业繁荣的原因,力图补充既有海南舞蹈史的研究成果。In the 1950s,the dance industry in Hainan Province developed and flourished from scratch,attracting much attention from the academic circle.However,most of the existing studies have focused on Chen Qiao,the“mother of Li ethnic dance”.Through an oral study of Mr.Meng Fazhen,one of the first generation of native dance artists in Hainan,this paper investigates the history of dance development in Hainan in the 1950s.Combined with his choreographical experience,it explores the reasons for the prosperity of dance art in Hainan at that time,and strives to supplement the current research on Hainan dance history.

关 键 词：海南舞蹈史 口述史 蒙发桢 打柴舞 儋州调声 

分 类 号：J709[艺术—舞蹈]