舞剧《咏春》中人本主义精神的进路与反思  

Direction and Reflection on the Humanistic Spirit in Dance Drama Wing Chun

作　　者：张月龙[1] 郭昳欧 ZHANG Yue-long;GUO Yi-ou(Division of Arts,Shenzhen University,Shenzhen 518060,China)

机构地区：[1]深圳大学艺术学部,深圳518060

出　　处：《北京舞蹈学院学报》2023年第4期98-102,共5页Journal of Beijing Dance Academy

摘　　要：舞剧《咏春》是深圳歌剧舞剧院出品的大型舞剧,采取双线叙事手法,还原了电影《咏春》的创作过程以及叶问在香港地区传承传统武学的历史场景,基于“咏春拳”与“香云纱”的“双非遗”,展现中华民族的文化回忆与人本精神。作品依托粤港澳大湾区的人文风貌和历史情境,强调民族亲情和自立自强的精神价值,巧妙利用特色舞台装置布景,构建观众与舞台之间的紧密联系,深刻表现出中华儿女的人本主义精神。作品以深刻的内涵、鲜活的形象和感人至深的故事,谱写了感召平凡人的奋斗精神与追梦精神,构成从“文化之基”到“人性之光”的人本主义精神进路。Wing Chun is a large-scale dance drama produced by Shenzhen Opera and Dance Theatre, which adopts a dual narrative approach to restore the creation process of the movie Wing Chun and the historical scenes of Yip Man's inheritance of traditional martial arts in Hong Kong region. Based on the two intangible cultural heritages of “Wing Chun” and “Xiang Yun Sha”, it shows the cultural memories and humanistic genes of the Chinese nation. Relying on the humanistic and social outlook, and historical stories of the Greater Bay Area, it emphasizes the values of patriotism, kinship, and self-reliance. The dance drama utilizes the featured stage installations to form a close connection between the audience and the stage and demonstrates the humanistic spirit of the Chinese people. With profound connotations, vivid characters, and touching stories, it shows the striving spirit and pursuit of dreams that inspire ordinary people, and depicts the story of Yip Man and the strives. It points out the direction for everyone who struggles for their ideals and forms the humanistic spiritual route from “the foundation of culture” to “the light of humanity”, which is conducive to providing references for the construction path of socialism with Chinese characteristics in the new era.

关 键 词：舞剧《咏春》 艺术创作 人本主义 

分 类 号：J711[艺术—舞蹈]