鼓子秧歌创作中的立意表达与形式开掘  

Thematic Expression and Formal Exploration in the Creation of Guzi Yangge

作　　者：王栎[1] WANG Yue(School of Dance,Shanghai Theatre Academy,Shanghai 200240,China)

机构地区：[1]上海戏剧学院舞蹈学院,上海200240

出　　处：《北京舞蹈学院学报》2023年第4期108-111,共4页Journal of Beijing Dance Academy

基　　金：2019年度上海戏剧学院科研计划孵化项目一般项目“2009-2019中国民族民间舞舞台化创作趋势研究”(项目编号C2-0227-19-04-09)阶段性成果。

摘　　要：中国民族民间舞是中国舞蹈事业一道独具特色而多彩的风景线,其多元样态对当代社会文化建设具有多重意义,是我国优秀传统文化创造性转化、创新性发展的重要成果之一。在不同历史时期,中国民族民间舞舞台作品的时代主题的立意表达、舞蹈形式的开掘,是中国民族民间舞创作研究的重要课题。文章以鼓子秧歌的作品创作为例,梳理其创作发展历程,剖析在社会语境和创作语境转换中的立意表达和形式开掘的关系,提出文化语境转化下的精神永恒性、社会语境发展下的价值导向性、创作语境表达下的民族集体性的追求原则,以期探索面对社会、文化与时代发展产生的种种矛盾和抵牾时,中国民族民间舞创作需要做出的创造性转化策略。Chinese ethnic and folk dance is a unique and colorful landscape of the Chinese dance industry,and its diverse patterns have multiple significance for the cultural construction of contemporary society,which is one of the important achievements of the creative transformation and development of excellent traditional Chinese culture.In different historical periods,the theme and expression of Chinese ethnic and folk dance stage works and the exploration of dance forms are important propositions for the study of the Chinese ethnic and folk dance creation.Taking the creation of Guzi Yangko as an example,the paper reviews its development history and analyzes the relation between the thematic expression and the formal exploration in the transformation of social and creation contexts.It proposes the spiritual eternity under the transformation of cultural context,the value orientation under the development of social context,and the principle of national collectivity in the context of creation expression,in order to explore the creative transformation strategies that need to be made in the creation of Chinese ethnic and folk dance when facing various contradictions arising from the society,culture and the development of the times.

关 键 词：民间舞创作 鼓子秧歌 语境 立意表达 形式开掘 

分 类 号：J711[艺术—舞蹈]