新人导演处女作中的老年形象  

The Image of Old People in the New Director's Debut

作　　者：彭流萤 PENG Liuying

机构地区：[1]中国文联电影艺术中心

出　　处：《电影理论研究（中英文）》2023年第3期104-109,共6页Journal of Film Studies

摘　　要：近年国内电影节中,新人导演处女作让老年人担纲主角,对生命消逝前独立人生“存在”属性进行展现。如宋新棋的《瞧一桥》和邹德全的《叫我郑先生》再次复刻了传统公路片的类型模式,让老年人跟年轻人一起重新上路。其他作品如《春江水暖》《朝花夕拾》中对老病的疗愈与照护,《出戏》中健康老人的追梦人生等,都展现出新人导演在老年生存状态展现方面上难得的成熟。电影节展入围和展映成为新人导演面向专业观众的一种“存在”方式,也反映了电影创作者在老年社会转型期的使命感。As seen in the domestic film festival in recent years,the new directors employ elderly people as the main characters in their debut films,showing the"existence"attribute of living independence before the life terminates.For example,Song Xinqi's Ciao and Zou Dequan's Call Me Mr.Zheng have once again reproduced the traditional model of road movies,which aim at allowing the elderly and young people to jointly embark on a new journey.Other works,such as the healing and care of the elderly diseases in Dwelling in the Fuchun Mountains and Down Blossoms Plucked at Dusk,and the pursuit of their dream life of the healthy elderly in Drama Life,show the rare perfection of the fresh directors in the presentation of the elderly living state.The screening of the selected films by the new directors in the film festivals has become an"existence"way for those directors to present their works to the professional audience,and also reflects the sense of mission of the film creators in the transitional period of the elderly society.

关 键 词：《瞧一桥》 《叫我郑先生》 《出戏》 公路片 存在属性 

分 类 号：J911[艺术—电影电视艺术]