戏曲文本图像如何可能?  

How Illustrations of Dramatic Texts Come to Be Possible?

作　　者：刘晓明 Liu Xiaoming(School of Literature and Journalism,Lingnan Normal University)

机构地区：[1]岭南师范学院文学与传播学院

出　　处：《文艺理论研究》2023年第5期11-21,共11页Theoretical Studies in Literature and Art

基　　金：国家社科基金项目“中国戏剧文体与演剧的互动研究”[项目编号:20BZW006]的阶段性成果.

摘　　要：戏曲文本图像是一种在文本性与图像性共同作用下通过想象所建构的视觉形象。“文本性”乃是文本形式表现其对象的可能性,在文本性的支配下,中国戏曲的诗性传统使得文本插图倾向于一种诗性意境。“图像性”是表现视觉形象的可能,这种可能之一便是绘画传统中历史语法的规定。最能体现文本插图中图像传统的是《元曲选》插图,此选本的插图中注明了从魏晋南北朝到元代画家共计九十九位所仿效者,这种仿效说明了对绘画传统句法元素的传承。Illustrations within classical Chinese dramatic texts are visual representations constructed through the interaction of textuality and imagery.“Textuality”refers to the potential of the text form to convey its subject.Under the influence of textuality,the poetic tradition of Chinese drama leads textual illustrations towards a poetic ambiance.On the other hand,“imagery”represents the potential for visual portrayal,including the historical grammar of painting traditions.The most prominent manifestation of visual traditions within textual illustrations is found in the illustrations of Selected Yuan Plays.These illustrations specify that a total of ninety-nine artists,ranging from the Wei,Jin,Northern and Southern dynasties to the Yuan dynasty,were imitated.This imitation underscores the inheritance of syntactic elements from the painting tradition.

关 键 词：戏曲图像 本体论 文本插图 

分 类 号：J205[艺术—美术] I207.37[文学—中国文学]