文化研究与美学:理论分野及对话交融  

The Division and Dialogue between Cultural Studies and Aesthetics

作　　者：程相占[1] 张金娟 Cheng Xiangzhan;Zhang Jinjuan(Center for Literary Theory and Aesthetics,Shandong University;School of Literature,Shandong University)

机构地区：[1]山东大学文艺美学研究中心 [2]山东大学文学院

出　　处：《文艺理论研究》2023年第5期72-82,共11页Theoretical Studies in Literature and Art

基　　金：国家社会科学基金重大项目“西方自然美学通史”[项目编号:19ZDA044]阶段性成果.

摘　　要：从20世纪后半叶开始,文化研究与美学的关系渐行渐远。到20世纪末21世纪初,文化研究几乎成了反美学的代名词。进入21世纪以来,在“回归美学”的浪潮下,英、美、澳学者对文化研究与美学是否走向分离、如何走向融合等问题进行了深入探讨。文化研究与美学并不是非此即彼的对立关系,也不是彼此包含的从属关系,而应该是一种借鉴交融的对话关系,其未来方向可以概括为“走向审美的文化研究”命题。这个理论命题具体展开包含如下四个方面:重新定义美学,关注文化产品的形式特征,重视审美经验的中介性,分析审美评价机制。Cultural studies have been distancing itself away from aesthetics since the latter half of the twentieth century.As the twenty-first century began,cultural studies nearly became synonymous with anti-aesthetics.In the surge of“the return to aesthetics”in the twenty-first century,scholars from the UK,the US and Australia have engaged in discussions regarding whether cultural studies and aesthetics are drifting apart and how they might be integrated.The relationship between cultural studies and aesthetics should not be one of opposition or subordination,but one of dialogue in which they draw on and blend with each other.This article argues that cultural studies and aesthetics are moving toward aesthetic cultural studies,in four aspects including redefining aesthetics,paying attention to the formal features of cultural products,valuing the engagement of aesthetic experience,and analyzing the mechanism of aesthetic evaluation.

关 键 词：文化研究 美学 审美的文化研究 

分 类 号：B83-05[哲学宗教—美学] I01[文学—文学理论]