文学潜流与风气之先——宋代理学诗人范浚的宗唐心态  

On Confucian Poet Fan Jun’s Tang-Style Mentality of the Song Dynasty

作　　者：李鹏飞 Li Pengfei

机构地区：[1]复旦大学中文系,200433

出　　处：《杜甫研究学刊》2023年第4期101-113,共13页Journal of Du fu Studies

摘　　要：以往对宋代南渡时期诗坛的研究多集中于历经南渡的文人群体,众多生逢其时而诗名不彰的江南本土作家及其作品则成为文学史的潜流现象。作为身处其中的理学诗人,范浚关心国事却隐逸避世,不取元祐体与江西诗派而远绍唐代名家,诗学宗尚李杜却情近中晚唐诗人,雅好幽独之境却不内敛逼仄。此种诗学理念与创作个性之间的偏差错位,既与其取法乎上的创作理想有关,又是其历经两宋之变的人生经验暗合唐代“安史之乱”后的诗人心态所致,还反映出南渡时期诗坛不乏反拨宋调而力挺唐音的独特倾向。其中不仅存在诸多值得解读的诗学意味,而且为进一步发掘文学潜流的价值意义提供了重要范本。Traditional researches mainly focus on the literati who migrated to the South,while the local writers in Jiangnan who,despite being talented,did not gain much recognition.Fan Jun,as a Confucian poet,was concerned with national affairs but chose to live in seclusion.Instead of following the trends of the Yuan You style or the Jiangxi poetry school,he paid tribute to renowned Tang poets and was influenced by the poets of the mid to late Tang Dynasty.He pursued a poetic realm that was elegant and solitary,yet not constricting or narrow.This deviation and mismatch between his poetic ideals and creative personality can be attributed to his chosen model of inspiration as well as his personal experiences during the transition from the Northern to the Southern Song Dynasty.It also reflects a unique tendency in the poetry scene of the Southern Song period,where there was a preference for reviving the Tang Dynasty style instead of adhering to the prevailing Song Dynasty style.This exploration not only offers multiple layers of poetic significance worth interpreting but also provides an important case study for further understanding the value and significance of literary undercurrents.

关 键 词：范浚 理学诗人 南渡诗坛 文学潜流 宗唐 

分 类 号：I207.22[文学—中国文学] K244[历史地理—历史学]