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作 者:向柏松 Xiang Baisong
机构地区:[1]武汉科技大学人文社会科学高等研究院,湖北武汉430081
出 处:《中州学刊》2023年第12期150-157,共8页Academic Journal of Zhongzhou
基 金:国家社会科学基金重大项目“中华文化认同与中华民族共同体建设研究”(22&ZD208)。
摘 要:中国神话仪式叙事经历了由巫术仪式叙事到祭礼仪式叙事、民俗仪式叙事的三个发展阶段,这是中国社会理性化程度日益提升的结果。中国神话巫术仪式叙事对中国文化产生了深远影响,开启了中国浪漫主义文学的先河,促进了中国歌乐舞合一的艺术形式的形成与发展,直接催生了道教的形成。中国神话祭礼仪式叙事贯穿整个封建时代,对于中华礼仪制度的形成起到了奠基作用。随着官方的礼仪不断融入民间生活,神话的仪式叙事逐渐演变为能与现代生活相契合的民俗仪式叙事,人民大众成为神话民俗仪式叙事的主体,对中国节日民俗的形成发展产生了深远影响。The narratives of Chinese mythical ceremony has experienced three development stages,from witchcraft ritual narrative to sacrificial narrative and folk ritual narrative,which is the result of the increasing degree of rationalization of Chinese society.The narrative of Chinese mythical witchcraft ceremony has had a profound influence on Chinese culture.It opened the precedent of Chinese romantic literature,promoted the formation and development of the art form of Chinese song,music and dance,and directly gave birth to the formation of Taoism.The narrative of the Chinese mythical ceremony rituals ran through the entire feudal era,which played a foundation for the formation of the Chinese etiquette system.With the continuous integration of official etiquette into folk life,the ritual narrative of myth has gradually evolved into a folk ritual narrative that can fit with modern life,and the people have become the main body of the mythical folk ritual narrative,which has a profound impact on the formation and development of Chinese festival folk customs.
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