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作 者:应豪杰 YING Hao-jie(College of Literature,Chongqing Normal University,Chongqing,401331)
出 处:《贵州师范学院学报》2023年第11期46-51,共6页Journal of Guizhou Education University
摘 要:秦观贬谪词是词人在绍圣元年(1094)至元符三年(1100)所作,代表了秦观词作生涯的最高峰。基于文学地理学视角从文本之外的贬谪地动态分布来分析秦观贬谪词,吴越、荆楚和岭南文学区的自然和人文地理环境促使秦观贬谪词书写由华丽化向清淡化转变;从贬谪词文本呈现出的空间构建模型及空间特点入手分析,发现其空间书写对象以宫室建筑和水域空间为主,空间观感呈现华丽与清冷共存的特点,也反映出词人心态由对往事留恋向现实绝望转变。从空间视角对秦观贬谪词进行审视,会对地域与词风、词作本身的关系形成新的认识。Qin Guan's banishment-themed Ci-poems,written from the first year of Shao Sheng(1094)to the third year of Yuan Fu(1100),represent the highest peak of Qin Guan's Ci-poems career.An analysis of Qin Guan's banishment-themed Ci-poems from a literary geographical perspective reveals that the natural and cultural settings of the Wu-Yue,Jing-Chu,and Lingnan literary regions prompted a shift in his depiction of banishment,transitioning from an ornate to a more subdued style;from the analysis of the spatial construction model and spatial characteristics of banishmentthemed Ci-poems,it is found that spatial writing objects are dominated by palace architecture and aquatic areas,and that spatial perception presents the characteristics of the coexistence of grandeur and starkness,reflecting the poet's shift in attitude from nostalgic longing for the past towards a growing despair in present reality.Examining Qin Guan's banishment-themed Ci-poems from a spatial perspective will contribute to a fresh understanding of the interplay between geographical regions,poetic style,and the poetry itself.
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