“讲好中国故事”语境下《怒火·重案》叙事策略解读  

Interpretation of Narrative Strategy of Raging Fire in Context of “Communicating China Stories Well”

作　　者：杨蕊茗 YANG Rui-ming(School of Film and Television Arts,Liaoning Normal University,Dalian Liaoning 116081,China)

机构地区：[1]辽宁师范大学影视艺术学院,辽宁大连116081

出　　处：《大连民族大学学报》2023年第6期555-559,570,共6页Journal of Dalian Minzu University

摘　　要：整体观照华语警匪电影叙事特点及发展脉络的同时,分析内地与香港地区电影合拍背景下香港地区导演陈木胜遗作《怒火·重案》的叙事策略,着重探讨该影片对华语新主流警匪电影叙事的启示。指出要与时俱进“讲好中国故事”,香港地区警匪电影需要适当调整叙事策略,积极融入主流文化,激发中华优秀传统文化与成熟类型影片的双重优势,打造华语新主流警匪片,呈现更多优秀影片。While examining the narrative characteristics and development process of Chinese gangster films as a whole,this paper analyzes the narrative strategy of Hong Kong director Musheng Chen's posthumous work "Raging Fire" under the background of mainland-Hong Kong film co-production,and focuses on its enlightenment to the narrative for Chinese new mainstream gangster films.It is pointed out that narrative strategies of Hong Kong region gangster films should be adjusted appropriately in order to keep pace with the times and "communicate Chinese stories well".Hong Kong region gangster films can actively integrate into mainstream culture,stimulate the dual advantages of excellent Chinese traditional culture and mature types of films,create new mainstream Chinese gangster films,and present more excellent works.

关 键 词：讲好中国故事 《怒火·重案》 警匪片 叙事策略 合拍 

分 类 号：J90[艺术—电影电视艺术]