马克思主义美学视域下消费主义文化的解构与重塑  

A Study of Consumerism Cultural Criticism from the Perspective of Marxist Aesthetics

作　　者：杨颖萱 孙绍勇 Yang Yingxuan;Sun Shaoyong

机构地区：[1]西北工业大学马克思主义学院,陕西西安710072

出　　处：《河南社会科学》2023年第11期1-9,共9页Henan Social Sciences

基　　金：研究阐释党的二十大精神国家社会科学基金重大项目“推进文化自信自强的时代背景与现实途径研究”(23ZDA082);国家社会科学基金青年项目“党的十八大以来社会主义意识形态建设的制度化及其基本经验研究”(20CKS047);西北工业大学高等教育研究基金项目“新时代高校思政课教师队伍质量提升研究”(GJJJW202402)。

摘　　要：消费主义作为资本逻辑下生活方式和价值理念具象呈现,其无节制地将消费塑造为实现人生意义的唯一途径,不仅创造出符号消费、炫耀性消费等虚假的消费形式,而且衍生出了消费主义文化的独特文化景观,形成了文化控制的隐性结构,和马克思主义对美的建构形式形成了鲜明冲突。由此,在彰显马克思主义的美学理论特质的基础上,以其为批判视角,对消费文化中的异化样态进行透视,洞悉资本操控下的消费美学中隐藏的消费主义陷阱,进而探求使美的本质复归为自由精神生产的现实路径。As a concrete presentation of life style and value concept under the capital logic,consumerism unrestrained portrays consumption as the only way to realize the meaning of life,not only creating false consumption forms such as symbol consumption and conspicuous consumption,but also deriving a unique cultural landscape of consumerism culture,forming a hidden structure of cultural control,and forming a sharp conflict with the construction form of Marxism on beauty.Therefore,on the basis of highlighting the characteristics of Marxist aesthetic theory,and taking it as a critical perspective,we will have a perspective on the dissimilation pattern in consumer culture,and understand the hidden consumerism trap in the consumer aesthetics under the control of capital,and then explore the realistic path to make the essence of beauty return to the essence of free spiritual production.

关 键 词：马克思主义美学 消费主义文化 艺术审美 

分 类 号：D6[政治法律—政治学]