威尔第歌剧《茶花女》戏剧冲突的多样化表达  

On the Diversified Expression of Dramatic Conflict in Verdi’s Opera“La Traviata”

作　　者：田晓琳 张茂林 Tian Xiaolin;Zhang Maolin

机构地区：[1]中央戏剧学院,北京100710 [2]浙江音乐学院,浙江杭州310024

出　　处：《河南社会科学》2023年第11期116-124,共9页Henan Social Sciences

基　　金：中央戏剧学院2023年教育教学改革专项“与宣叙调演唱结合的外国歌剧语音教学研究”(J2023006)。

摘　　要：歌剧《茶花女》是作曲家威尔第具有划时代意义的代表作。在该部作品中威尔第开始尝试打破套路型的歌剧模式,将宣叙调、咏叹调和合唱融合在一起。他试图摆脱音乐和剧本之间的等级制度,从而来支持这两个元素的公平融合,以形成一个更加和谐的整体。歌剧《茶花女》自问世以来获得了巨大的成功,在世界各地频频上演,成为全球最受欢迎的作品之一。其高超的艺术价值,在于威尔第精妙地运用歌剧艺术各种元素,成功地塑造出了具有鲜明个性和复杂性的人物形象,并通过这些人物之间的相互关系和矛盾,设计呈现出一系列的戏剧冲突,并始终牢牢地牵动着观众的心,带着观众沉浸在他构建的艺术世界中,使歌剧《茶花女》成为不朽之作。The opera“La Traviata”is a groundbreaking masterpiece by Giuseppe Verdi.In this work,Verdi began to break away from the conventional operatic structure,blending recitative,aria,and chorus.He aimed to eliminate any hierarchy between music and libretto,allowing these elements to harmoniously merge,creating a more balanced whole.“La Traviata”has enjoyed immense success since its inception and is frequently performed worldwide,making it one of the most beloved works globally.Its artistic brilliance lies in Verdi‘s skillful use of various elements of operatic art to craft distinctive and complex character portrayals.Through the interactions and conflicts between these characters,a series of dramatic conflicts unfolds,captivating the audience and immersing them in Verdi’s artfully constructed world,solidifying“La Traviata”as a timeless masterpiece.

关 键 词：威尔第 歌剧《茶花女》 音乐歌唱 戏剧冲突 题材与现实 

分 类 号：G12[文化科学]