解析电影《瞬息全宇宙》中的后现代主义特征  

Research on the Postmodernism Features in the Film Everything Everywhere All at Once

作　　者：汪开庆[1] 刘婕妤 Wang Kaiqing;Liu Jieyu(College of Art,Guangxi University,Nanning,Guangxi,530004)

机构地区：[1]广西大学艺术学院,广西南宁530004

出　　处：《湖南大众传媒职业技术学院学报》2023年第2期47-50,共4页Journal of Hunan Mass Media Vocational and Technical College

基　　金：2021年湖南省高校思想政治工作研究高校思想政治教育项目“数字时代本土红色资源融入高校思政教学逻辑机理与实践路径研究”(编号:21C15)的研究成果之一。

摘　　要：电影《瞬息全宇宙》无论在内容上还是形式上,都具有后现代主义的典型特征。在主题表达上,影片聚焦于一个华裔家庭的解构与重构,来反映移民家庭尖锐的代际冲突。在人物塑造上,刻画了独立自主的现代女性形象,深入探讨了华裔家庭中的母女关系,通过母女之间由对立走向和解的过程呼吁现代女性主体意识的觉醒。在电影叙事上,通过构建一个混沌的多元宇宙,对现实世界进行了变形、拼贴、戏仿,颠覆了元叙事。The film Everything Everywhere All at Once,both in terms of content and form,has typical characteristics of postmodernism.In terms of theme,the film focuses on the deconstruction and reconstruction of a Chinese family to reflect the sharp intergenerational conflicts of immigrant families.In the character portrayal,it depicts the independent modern female image,probes deeply into the mother-daughter relationship in the Chinese family.Through the process of the mother-daughter relationship from opposition to reconciliation,this movie appeals to awake the subject consciousness of modern women.In the film narration,through the construction of a chaotic multi-universe,the real world has been deformed,collage,parody,and disrupt the meta narrative.

关 键 词：《瞬息全宇宙》 后现代主义 解构 女性意识 多元宇宙 

分 类 号：J905[艺术—电影电视艺术]