由真入意——人物画写实造型与笔墨衔接  

From Realism to Artistic Conception:Realistic Modeling and Connected Brushwork of Figure Paintings

作　　者：苏睿[1] Su Rui(the Academic Committee Office of the Chinese Painting Academy,Chinese National Academy of Arts and First-class Artist)

机构地区：[1]中国艺术研究院国画院学术委员会办公室

出　　处：《美术》2023年第12期66-69,共4页Art Magazine

摘　　要：近20年来,学界对中国人物画在造型与笔墨的关系等问题上争论不止,却很少从整体的东方审美与文化层面拓展对写实人物画的认知。本文梳理历史中经验,具体落实到造型与笔墨的互动与衔接上,通过对虚实、线条、构图与留白等方面的研究,认为写实性的人物画需要充分符合中国审美和意境营造。只有这样,才能沿着20世纪如徐蒋、新浙派等先辈们开辟出现代人物画的发展道路上,守正创新、笃行致远。There has been a debate on such issues as the relationship between modeling and brushwork of the Chinese figure painting within the academic community in the past two decades,but little efforts have been made to expand the understanding of realistic figure paintings from the overall oriental aesthetic and cultural perspectives.Focusing on the interaction and connection of modeling and brushwork,this paper teases out past experience,studies empty and solid lines,composition and blank space,and believes that realistic figure paintings should be in line with Chinese aesthetics and artistic conception.Only in this way can we follow the modern figure painting path created by such pioneers as Xu Jiang and the New Zhejiang School in the 20th Century,uphold fundamental principles and break new ground.

关 键 词：人物画 造型 笔墨 意境 

分 类 号：J212[艺术—美术]