第三种思想——马克·托比艺术中的亚洲经验  

The Third Mind:The Asian Experience in the Art of Mark Tobey

作　　者：胡经纬 Hu Jingwei(Central Academy of Fine Arts)

机构地区：[1]中央美术学院

出　　处：《美术》2023年第12期124-132,共9页Art Magazine

摘　　要：20世纪中叶,以波洛克为代表的美国抽象表现主义艺术家及其支持者们,已经成为了当时艺术世界的主流。而在今天,当我们身处汉斯·贝尔廷所谓的“全球艺术”主导的时代,在穿越由欧洲经验主义与“美国式”精神编织的现代神话之后,亚洲经验成为认识美国现代艺术的“第三种思想”。近年来,二者之间复杂而深刻的联系被各国学者不断挖掘。人们发现,以抽象表现主义为代表的美国现代艺术中似乎总能看到亚洲文化的痕迹。马克·托比就是其中较为典型的例子,他的创作受到中国文化与书法艺术的深刻影响,其“满幅绘画”在画布上营造出移动的视觉中心,引发了观看方式的变革。在全球艺术史的书写中,马克·托比的个案为人们审视20世纪的美国现代艺术,提供了一种形式主义之外的亚洲视角。In the mid-20th Century,American Abstract Expressionist artists,with Jackson Pollock as a representative,and their supporters became the mainstream of the art world.Today,in an era dominated by what Hans Belting called aglobal arto,Asian experience has become the athird mindo for understanding American modern art after we traverse a modern myth created by European empiricism and aAmericano spirits.In recent years,their complex and profound relationship has been continuously explored by scholars from various countries,and it is found that traces of Asian culture can always be seen in American modern art represented by Abstract Expressionism,to which Mark Tobey’s artworks can attest.Deeply influenced by Chinese culture and calligraphy,he creates a moving visual center in aall-over paintingso,triggering a change in the way of viewing.In global art history,Mark Tobey’s artworks offer an Asian perspective beyond formalism for people to examine American modern art in the 20th Century.

关 键 词：马克·托比 抽象表现主义 亚洲文化 中国书法 全球艺术 

分 类 号：J205[艺术—美术]