抽象的抒情——赵无极绘画的视觉形式与中国艺术精神  

The Oriental Abstraction and Lyricism:The Visual Forms and the Chinese Art Spirits Reflected in Zao Wou-Ki’s Paintings

作　　者：陈芸[1] 童威[2] Chen Yun;Tong Wei(Zhejiang Silk and Fashion Culture Research Center,Zhejiang Sci-Tech University;School of Art and Design,Zhejiang Sci-Tech University)

机构地区：[1]浙江理工大学浙江省丝绸与时尚文化研究中心 [2]浙江理工大学艺术与设计学院

出　　处：《美术》2023年第12期133-139,共7页Art Magazine

基　　金：国家社科基金艺术学重大项目《艺术学理论的跨媒介建构及其知识学研究》(项目编号:20ZD26)的阶段性研究成果;浙江理工大学国际学生国情教育名师工作室建设重点项目(项目编号:gqjy202204)的阶段性研究成果。

摘　　要：赵无极是当代著名华裔法国画家,被誉为“西方现代抒情抽象派”的代表。他从我国甲骨文、钟鼎铭文和青铜器的饕餮纹样中提炼元素,汲取传统山水画的审美意境,将中国审美理念与西方现代艺术形式相融合,从而形成独特的艺术风格。本文从抽象符号的线性抒情、空间意境的结构营造、光影时空的诗性叙事三个方面阐释赵无极绘画的视觉语言,探索其不同时期的艺术表现形式及其蕴含的中国艺术精神,为进一步理解全球当代艺术的视觉叙事提供可参照的方法与路径。Zao Wou-Ki,a famous contemporary Chinese-French painter and representative of“modern lyrical abstraction in the west”,developed a unique artistic style by extracting elements from oracle bone script,bell-cauldron script and taotie patterns on bronze ware,drawing inspiration from the aesthetic conception of traditional landscape paintings and integrating Chinese aesthetic concepts with western modern art forms.This paper interprets the visual language in Zao Wou-Ki’s paintings from the three aspects of the linear lyricism of abstract symbols,the structural creation of spatial conception and the poetic narrative of light and shadow,and explores his different types of artistic expression in different periods and Chinese art spirits reflected in his paintings,to provide methods and pathways for further understanding the visual narrative of global contemporary art.

关 键 词：赵无极 抽象绘画 中国艺术精神 全球艺术 

分 类 号：J205[艺术—美术]