戏入画心造境——刘红沛戏曲人物画的艺术探索  

Depicting Opera Characters and Creating a True Feeling-Based Artistic Conception:Liu Hongpei’s Artistic Exploration of Opera Character Paintings

作　　者：王宜军 Wang Yijun(School of Art,Sanjiang University)

机构地区：[1]三江学院艺术学院

出　　处：《美术》2023年第12期149-151,共3页Art Magazine

基　　金：江苏高校哲学社会科学研究一般项目《协同理论下环境设计人才政产学研培养模式创新与实践》(项目批准号:2022SJYB0652)的阶段性研究成果。

摘　　要：戏曲与中国画皆为我国的国粹,二者息息相通、同源共生。刘红沛的戏曲人物画,将戏曲的雅俗共赏之趣,融入中国画的水墨神韵之中,拓宽了中国绘画的艺术语言与精神疆域。本文在当今的时代语境下,从“以戏入画”“以画品心”“以心造境”三个方面入手,剖析刘红沛关于戏曲人物画的艺术探索。他将中国戏曲与西方艺术之精髓融入中国画的创作语言,通过追寻传统民族艺术,渗透中国文化,延续中国精神。Opera and the Chinese painting,quintessence of Chinese culture,share the same origin and are closely related.Liu Hongpei integrates the appeal-to-all opera into the Chinese painting full of the charm of ink,broadening the artistic language and spiritual field of Chinese painting.In the current era,this paper analyzes Liu Hongpei’s artistic exploration of opera character paintings from the following three aspects:bringing opera into painting,understanding ideas via paintings,and creating a true feeling-based artistic conception.The artist integrates the essence of Chinese opera and western art into the creation language of Chinese painting,and spreads Chinese culture and carries forward Chinese spirits by exploring traditional national art.

关 键 词：刘红沛 戏曲人物画 中国画 泼墨重彩 

分 类 号：J212[艺术—美术]