储光羲组诗的结构形态与意境创造——兼论其诗歌史意义  

Structural Forms of Chu Guangxi’s Group Poems and Their Artistic Conception Creation:Concurrently with a Note on the Significance of its Poetic History

作　　者：程龙[1] CHENG Long(College of Chinese Language and Literature,Hunan University,Changsha 410082,China)

机构地区：[1]湖南大学、中国语言文学学院,湖南长沙410082

出　　处：《东莞理工学院学报》2023年第6期41-47,共7页Journal of Dongguan University of Technology

摘　　要：储光羲诗歌中组诗占比颇多,是一个值得关注的文学史现象。储光羲组诗的结构形态繁复多样,主要可分为起结有序和错杂无序两种模式,多以意义的承接、题材的相同、抒情的一致而出现。组诗的结构形态与诗歌的意境创造之间具有某种一致性,即组诗对同一书写对象的多角度、多层次展现,以及意象的选取运用等,有效地扩展、深化和融合了诗歌意境,凸显了组诗的文体优势。此外,储光羲关怀社会现实、兴寄田园生活的“比兴体田园组诗”,是其诗美理想及诗歌史意义的重要体现。Chu Guangxi’s poetry has a large proportion of group poems,which is a noteworthy phenomenon in literary history.The structures and forms of Chu Guangxi’s poems are complex and diverse,which can be mainly divided into two modes:order and disorder.They often appears with the succession of meaning,the same theme,and the same lyricism.There is a certain consistency between the structure and form of the poetry and the artistic conception creation of the poetry,namely,the multi-angle and multi-level display of the same writing object,as well as the selection and application of images.It effectively expands,deepens and integrates the artistic conception of the poetry,and highlights the stylistic advantages of the poetry.In addition,Chu Guangxi’s pastoral poetry caring about social reality and pastoral life is an important embodiment of his ideal of poetic beauty and its historical significance.

关 键 词：储光羲 组诗 结构形态 意境 比兴体田园组诗 

分 类 号：I207.227[文学—中国文学]