中国钢琴作品创作中的民族特质——和声的使用与意义  

National Characteristics of Chinese Piano Works——The Use and Signification of Harmony

作　　者：杨桂琴[1] YANG Gui-qin(Shenyang Conservatory of Music,Shenyang,Liaoning 110818)

机构地区：[1]沈阳音乐学院,辽宁沈阳110818

出　　处：《呼伦贝尔学院学报》2023年第5期66-69,共4页Journal of Hulunbuir University

摘　　要：民族化的钢琴作品之所以成为具有“中国化”的代表作品,离不开作曲家们独特的构思与扎实的艺术功底。本文在和声的使用与意义上着重分析中国钢琴作品中的民族特色和风格特征,以此来感受在钢琴音乐中的民族美。In the formation and development of Chinese folk music works,the introduction of piano has added new colors to the development of Chinese folk music creation.In the creation of Chinese piano works,composers also have a new way to express the embodiment of national characteristics.Of course,the reason why the nationalized works become the representative works of"Sinicization"is inseparable from the composer's unique conception and solid artistic foundation.This article focuses on the use and meaning of harmony analysis of Chinese piano works in the national characteristics of style characteristics,in order to feel the national beauty in piano music.

关 键 词：中国钢琴作品 创作 中国化 和声 

分 类 号：J624.1[艺术—音乐]