驿路唐诗对边域陌生事物的书写  

The Writing of Unfamiliar Things in Border Regions in Tang Poetry on the Post Road

作　　者：吴淑玲[1] WU Shuling(College of Literature,Hebei University,Baoding,Hebei 071002,China)

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2023年第6期46-58,共13页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社会科学基金项目“驿路唐诗边域书写研究”(17BZW006)。

摘　　要：边域风物风情描写是唐诗对前代诗歌的重要突破。唐前边域书写关注面狭窄,描写不够充分,多是概念化认知。唐代边域辽阔,驿路畅达,诗人见多识广,使唐诗边域书写变得丰富多彩,其中对陌生事物的书写获得了空前成功,主要是:用铺叙手法使边域风物风情得到充分展现;以中原中心为对比使边域色彩更加突出也更容易表达情感;以同理心为向度展开的描写则充满想象且具有共情特征。三种方法都有将感观审美强化的效果,也在尊重词源学规则的基础上使用了前代文学中少见的创新性词汇,为唐诗边域书写的陌生化审美做出了贡献。The description of the scenery and customs of the border regions is an important breakthrough in Tang poetry compared to previous poetry.Before the Tang Dynasty,the focus of frontier writing was narrow,the description was not sufficient,and most of it was conceptualized cognition.The Tang Dynasty had a vast border area,smooth post roads,and a wide range of poets,making the writing of border areas in Tang poetry rich and colorful.Among them,the writing of unfamiliar things achieved unprecedented success,mainly through the use of narrative techniques to fully showcase the scenery and customs of the border areas;Using the center of the Central Plains as a contrast to make the edge color more prominent and easier to express emotions;the description with empathy as the dimension is full of imagination and sympathy.The three methods all have the effect of strengthening the sensory aesthetics,and they also use innovative words rarely seen in the literature of the previous generation on the basis of respecting the rules of etymology,making contributions to the defamiliarization aesthetic of the border writing of Tang poetry.

关 键 词：驿路 边域 书写 陌生事物 

分 类 号：I206.2[文学—中国文学]