体大思精,见微知著——评张建军教授《中国古代山水画理论史》  

Extensive in Scope,Brilliant in Conception and Finding the General in the Particular:A Critical Evaluation of Professor Zhang Jianjun's A Historical Exploration of Ancient Chinese Landscape Painting Theory

作　　者：乔志强 QIAO Zhiqiang(School of Fine Arts and Design,Lingnan Normal University,Zhanjiang 524048,Guangdong,China)

机构地区：[1]岭南师范学院美术与设计学院,广东湛江524048

出　　处：《岭南师范学院学报》2023年第3期118-124,共7页Journal of Lingnan Normal University

摘　　要：中国古代山水画理论著述卷帙浩繁,成果丰硕,然亦良莠参差,真伪杂糅,迫切需要研究者对之进行系统的梳理和研究。张建军教授的新著《中国古代山水画理论史》一书,聚焦中国古代山水画理论的核心命题、重要概念及其美学嬗变,探讨和辨析了诸多重要的学术论题,勾勒出中国古代山水画理论发展的历史脉络,呈现出山水画创作与理论相互促动、赓续创新的生动图景。该著体大思精,中西互观,持论精审,见微知著,是中国古代画论史研究的一部最新力作。The theoretical writings on ancient Chinese landscape painting are extensive and productive.However,the quality of them varies greatly,in a mixture of authenticity.There is an urgent need for researchers to sort out and examine them systematically.Professor Zhang Jianjun's new book,A Historical Exploration of Ancient Chinese Landscape Painting Theory,highlights the core propositions,pivotal concepts and aesthetic changes of ancient Chinese landscape painting theory,delving into numerous significant academic topics.It traces the historical development of Chinese landscape painting theory,revealing a dynamic interplay between artistic creation and theoretical innovation.This comprehensive and refined publication is extensive in scope and brilliant in conception.Moreover,it not only provides a meticulous assessment from both Chinese and Western perspectives but also demonstrates the profound significance of finding the general in the particular.The book stands as a remarkable contemporary contribution to the historical study of ancient Chinese art theory.

关 键 词：张建军 《中国古代山水画理论史》 体大思精 见微知著 中西互观 

分 类 号：J205[艺术—美术]