网络类型化写作的流弊与审美疲态  

The Disadvantages and Aesthetic Fatigue of Network Typed Writing

作　　者：王纯 WANG Chun(College of Literature and Journalism,Central South University,Changsha,Hunan 410083,China)

机构地区：[1]中南大学文学与新闻传播学院,湖南长沙410083

出　　处：《河北开放大学学报》2023年第6期41-43,共3页Journal of Hebei Open University

基　　金：北京市重点实验室2020年度课题“人工智能语境下网络文学IP开发的现实转向研究”(NSNC-2020 A 07)。

摘　　要：网络类型化写作既属于分众化市场的产物,又是阅读市场纵深发展的不竭动力,两者相互作用。以艾布拉姆斯的“文学四要素”在文学现实下发生的深刻变迁作为基点,可知在虚拟性的赛博空间中,网络类型化写作呈现出快感叙事的生存样态,盲目追求“爽感”和“快感”间接表现了作者主体性的缺失,使虚空的艺术创新性遮掩了个性化的自由写作。同时,一味地从商业利益与读者欲求“领受指示”,直接折损了文学内在的生命力,导致理性的遮蔽与诗性正义的解构,消解了作品的深度空间,使网络类型化写作成为流水线式的同质化产品,阻拒了网络文学的良性发展与创新。Network typed writing is not only the product of market segmentation,but also the inexhaustible motive force for the in-depth development of reading market,and the two interact.Based on the profound changes of M·H·Abrams’“four elements of literature”in the literary reality,we can see that in the virtual cyberspace,network typed writing presents the survival mode of pleasure narration,and the blind pursuit of“coolness”and“pleasure”indirectly shows the author’s lack of subjectivity,which makes the vain artistic innovation cover up the personalized free writing.At the same time,blindly seeking“instructions”from commercial interests and readers’desires directly undermines the inherent vitality of literature,leads to the cover of rationality and the deconstruction of poetic justice,dispels the deep space of works,makes online typed writing a streamlined homogeneous product,and hinders the benign development and innovation of online literature.

关 键 词：网络类型化写作 流弊 审美疲态 文学四要素 

分 类 号：I206[文学—中国文学]