晚明诗学审美嬗变与贾岛诗歌接受起伏谫论  

On the Aesthetic Evolution of Poetics in the Late Ming Dynasty and the Ups and Downs of Jia Dao’s Poetry Acceptance

作　　者：宋冯珂 Song Fengke(College of Liberal Arts,Chongqing Normal University,Chongqing 401331 China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《西安文理学院学报（社会科学版）》2023年第4期11-14,38,共5页Journal of Xi’an University(Social Sciences Edition)

摘　　要：贾岛诗歌在晚唐五代、宋代末期及晚明时期均出现接受高峰,其中又以晚明最为显著。明代前、中期两百余年间,贾岛诗歌接受长期遇冷,万历之后却引起士人广泛关注。究其原因,晚明朝局崩坏,社会秩序混乱,盛世文化不再,贾诗因其寒瘦苦僻的风格、仕途失意的主题引发了晚明文人的关注与认同。与前、中期相比,晚明时期的唐诗选本选录的贾诗数量更多、内涵更丰富,诗论著作品评的角度也更加细化与多元。贾岛这种频繁在王朝末期出现高度接受的现象,体现出相似的时代语境下文人们选择的同一性。Jia Dao’s poems appeared the peak of acceptance in the late Tang and Five Dynasties,the late Song Dynasty and the late Ming Dynasty,especially in the late Ming Dynasty.During the two hundred years before and in the middle of Ming Dynasty,Jia Dao’s poetry received cold welcome for a long time,but after emperor Wanli,it attracted wide attention of scholars.The reason is that the bu⁃reau of the late Ming Dynasty collapsed,the social order was in chaos,the flourishing culture was no longer exist,and the theme of Jia Shi’s cold,thin and bitter style and frustrated career triggered the recognition and resonance of the literati in the late Ming Dynasty.In this period,the selected poems of the Tang Dynasty were numerous in connotation.The poetic criticism on Jia Shi’s works is more de⁃tailed and diversified than before.This phenomenon of high acceptance frequently appeared in the late dynasty of Jia Dao,reflecting the identity of people’s choice in similar context.

关 键 词：晚明 诗学 贾岛 接受 

分 类 号：I207.22[文学—中国文学]