论《伤逝》的审美现代性:一种反现代性立场  

On Aesthetic Modernity of The Death Mourning:An Anti-Modernity Stand

作　　者：曹晶晶 CAO Jingjing

机构地区：[1]绍兴文理学院人文学院

出　　处：《语言与文化论坛》2023年第2期219-227,共9页Forums of Language and Culture

摘　　要：鲁迅在对现代中国的现实性书写中呈现出对现代性予以反思的反现代性书写特征,这在《伤逝》中多有表露,可称之为审美现代性。《伤逝》呈现了鲁迅对启蒙理性、现代家庭、人的解放等启蒙现代性问题的剖析和探索,但文本更深层次的意义在于鲁迅以审美现代性立场对其进行的反现代性思考。启蒙理性的畸形发展致使启蒙主体异化与颓废精神弥漫,而现代家庭最终建构失败加剧着个体精神的幻灭。鲁迅的反现代性书写背后隐含着其自我的深层思想辨识。Lu Xun's writing of the reality of modern China shows the antimodernity writing characteristic of reflecting on modernity,which is shown frequently in The Death Mourning and can be called aesthetic modernity.The Death Mourning presents Lu Xun's analysis and exploration of enlightenment modernity such as the problem of enlightening rationality,modern family and human liberation.However,the greater significance of The Death Mourning lies in Lu Xun's anti-modernity thinking from the standpoint of aesthetic modernity.The abnormal development of enlightening rationality leads to the alienation and decadence of the enlightening subject,and the failure of the construction of modern family intensifies the disillusionment of individual spirit.Behind Lu Xun's anti-modernity writing of The Death Mourning lies his deep ideological cognition of himself.

关 键 词：鲁迅 《伤逝》 启蒙现代性 审美现代性 

分 类 号：I20[文学—中国文学]