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作 者:张雯茜 ZHANG Wenqian(School of Foreign Languages,East China Normal University,Shanghai 200241,China)
出 处:《上海理工大学学报(社会科学版)》2023年第4期395-402,共8页Journal of University of Shanghai for Science and Technology:Social Sciences Edition
摘 要:通过对伍尔夫两部作品《达洛维夫人》《到灯塔去》的对比研究,比较两部作品文本中人物生命空间的异同。基于巴什拉的空间现象学,聚焦房间、门与窗等空间意象,分析两种家宅空间——主体自我表达的生命空间和与他者共在的共通空间,并论证从《达洛维夫人》到《到灯塔去》,借由与他者的理解,个体发现“我”的失落生命空间与遗失的梦想,意识到彼此相互密切联系的重要性,进而向更具整体性的以“我们”为特征的共同体演进。This study compares the differences and similarities in Woolf’s novels of Mrs.Dalloway and To the Lighthouse in terms of the characters’life space.Based on Bachelard’s space phenomenology,this essay examines two kinds of domestic space——the self’s life space of self-expression and the connective communal space with the others,focusing on spacial images such as room,door and window.From Mrs.Dalloway to To the Lighthouse,Individuals realize the inauthenticity in their house of disenchanted dream and progress to a more connected communal voice represented by plural form“we”through connection and understanding with the other.
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