中国钢琴曲的“中国风格”之辨析  

Analysis of“Chinese Style”in Chinese Piano Music

作　　者：谭缨英[1] Tan Yingying

机构地区：[1]广西师范大学音乐学院,桂林541004

出　　处：《音乐艺术（上海音乐学院学报）》2023年第3期130-141,共12页Art of Music(Journal of the Shanghai Conservatory of Music)

摘　　要：中国钢琴曲的“中国风格”或“中国风格钢琴曲”早已成为中国钢琴音乐的一个重要理论范畴,但其所指一直不明。“中国风格”既以具有中国传统音乐特征的音乐语言为表征,又以这种音乐语言所承载的内容为精神内涵,因此“中国风格”的实现旨在用具有中国传统音乐特征的音乐语言去“模拟”“象征”“类比”与中国相关的物质和精神。“中国风格”既应诉诸特定的感性音响,让听众获得听觉上的认同,又需要诉诸只能依赖于理性感知的观念及其形态。“Chinese style”is not only characterized by the musical language with the characteristics of traditional Chinese music,but also by the content carried by this musical language as the spiritual connotation,so the realization of“Chinese style”aims to use the musical language with the characteristics of traditional Chinese music to“simulate”,“symbolize”and“analogize”those materials and spirits related to China.“Chinese style”should appeal not only to specific perceptual sounds,so that the listener can obtain auditory recognition,but also to appeal to those concepts and forms that can only rely on rational perception.

关 键 词：中国钢琴曲 中国风格 听觉认同 理性感知 

分 类 号：J614.3[艺术—音乐]