藏族传统绘画“青绿山水”艺术技法的发展与中华民族历史文化认同  

The development of artistic techniques of Tibetan traditional painting'Green landscape'Historical and cultural identity of the Chinese nation

作　　者：邓利剑[1] 蒋曦 Deng lijian;Jiang xi

机构地区：[1]西藏大学艺术学院 [2]西藏大学经济与管理学院

出　　处：《西藏艺术研究》2023年第3期92-99,共8页Tibetan Art Studies

摘　　要：“青绿山水”是中国古代绘画艺术的主要表现形式和重要绘画内容之一,它强烈的视觉效果和独特的表现技法对我国各少数民族绘画艺术尤其是藏族传统绘画产生了深远影响。本文概述了藏族传统绘画中“青绿山水”技法的起源、发展和演变,通过对藏族传统绘画主要画派中“青绿山水”技法的比较分析,探讨了“青绿山水”技法在汉藏绘画艺术交流交融中的历程。研究认为“青绿山水”技法发展在藏族传统绘画中的融合是汉藏民族文化认同、共同繁荣的历史见证,为中华民族共同体意识的形成和发展提供了绘画领域的史实依据。'green landscape'is one of the main forms of expression and important contents of ancient Chinese painting art.Its strong visual effect and unique expression techniques have had a profound influence on the painting art of various ethnic minorities in China,especially the traditional Tibetan painting.This paper expounds the origin,development and evolution of the'green landscape'technique in Tibetan painting,and probes into the process of the‘green landscape'technique in the communication and blending of Sino-Tibetan painting art through the comparison and analysis of the'green landscape'technique in the main painting schools of Tibetan painting.The research holds that the integration of the development of'green landscape'technique in Tibetan painting is the historical witness of the cultural identity and common prosperity of the Sino-Tibetan nationality,and provides the historical basis for the formation and development of the Chinese nation's sense of community in the field of painting.

关 键 词：上藏传绘画 青绿山水 中华民族历史文化认同 

分 类 号：J21[艺术—美术]