论洛杉矶郡艺术博物馆藏三足花口铸接鼎——工艺技术判断青铜器产地研究案例  

Study on a petal shaped interface casting bronze tripod collected in the Los Angeles County Museum of Art--A case study on confirming the producing place through bronze cast techniques

作　　者：苏荣誉[1] 孔纨 Su Rongyu;Kong Wan

机构地区：[1]中国科学院自然科学史研究所 [2]洛杉矶郡艺术博物馆

出　　处：《文物季刊》2023年第4期96-107,共12页Journal of Chinese Antiquity

摘　　要：本文是对洛杉矶郡艺术博物馆收藏的一件特殊青铜联裆鼎的个案研究。文章从风格和技术两个维度,分析各自内涵,并与出土的和博物馆收藏的相关器物进行对比,根据特别的铸造工艺的一致性,即三足以锯齿形或花瓣形接口铸接,且可以在侯马铸铜工场中找到铸造这类器物的模和范,说明它们的产地在侯马。这种特殊工艺掌握在少数工匠之手,铸造的器物非常有限,都在春秋晚期,成为依据工艺技术为器物断代断源的一个案例。This paper is a case study based on a special bronze tripod collected in the Los Angeles County Museum of Art.By analyzing the connotations from the bronze style and techniques,and comparing with the related objects unearthed and collected in the museums.According to the high consistency of special techniques,such as the vessel feet were cast zigzag or petal-shaped interface.The mould and model for casting such artifacts had been found in Houma Copper Casting Workshop,which indicated that Houma was their origin place.Moreover these special techniques and process must be mastered by fewer craftsmen and these artifacts were very limited in the late Spring and Autumn Period.Hence it became a case that we could date back the period and original place of bronzes through their cast technigues.

关 键 词：青铜鼎 侯马风格 花口铸接 侯马铸铜 年代 产地 

分 类 号：K876.41[历史地理—考古学及博物馆学]