《聊斋志异》中的灾害叙事  

The Narration of Disasters in Strange Stories from a Chinese Studio

作　　者：孙琳 王萃 SUN Lin;WANG Cui(School of Humanities and Journalism,Heze University,Heze 274000,China;Library of Heze University,Heze 274000,China)

机构地区：[1]菏泽学院人文与新闻传播学院,山东菏泽274000 [2]菏泽学院图书馆,山东菏泽274000

出　　处：《连云港师范高等专科学校学报》2023年第4期48-52,共5页Journal of Lianyungang Normal College

基　　金：山东省社科规划项目“中国古代小说中的灾难叙事研究”(项目编号:20CSTJ06);菏泽学院博士基金项目“中国小说灾害叙事研究”(项目编号:XY20BS23)。

摘　　要：《聊斋志异》的灾害叙事大多涉及志怪内容,寓有褒贬之意,与传奇表达思想主旨的手法十分相近。蒲松龄在作品中对气候灾异、瘟疫、蝗灾等天灾的探询,对战乱之惨、杀人之惨等人祸的讽喻,大多蕴含着对官吏的批判、对谀神者的微词等思想倾向。蒲松龄的“孤愤”之思,《聊斋志异》叙事的传奇性,于灾害叙事中可窥得一斑。Most of the disaster narratives in Strange Stories from a Chinese Studio involve supernatural events,with a sense of praise and disparage,which is very similar to the way legends express the main idea.In PU Songling’s works,the exploration of natural disasters such as climate change,plague,and locust plague,as well as the satire of human disasters such as war and murder,mostly contain ideological tendencies such as criticism of officials and criticism of those who flatter the gods.It can be seen in the disaster narrative PU Songling’s“solitary and angry”thoughts,as well as the legendary narrative of Strange Stories from a Chinese Studio.

关 键 词：清代小说 《聊斋志异》 灾害叙事 褒贬 

分 类 号：I207.419[文学—中国文学]