古典诗词中“金丹”意象的艺术哲理与审美隐喻  

The Artistic Philosophy and Aesthetic Metaphor of“Golden Elixir”Image in Classical Literature

作　　者：郭守运 冯敏 GUO Shouyun;FENG Min(School of Urban Culture,South China Normal University,Foshan,Guangdong 528225,China)

机构地区：[1]华南师范大学城市文化学院,广东佛山528225

出　　处：《安徽理工大学学报（社会科学版）》2023年第6期73-77,共5页Journal of Anhui University of Science and Technology:Social Science

基　　金：2020年度广东省“十三五”哲学社会科学规划项目(GD20CZW03)。

摘　　要：道教文化对中国文学创作影响深远,大量与其相关的意象在中国古典诗歌作品中涌现。作为出现频次最高的意象之一,“金丹”用于文学作品中往往具有一定程度的宗教神秘色彩。“金丹”意象蕴含丰富的艺术哲理与审美隐喻,表现出古代文人长生不老之欲念、淡泊飘逸之心境以及俯仰天地之宇宙观,为游仙诗与隐逸诗取得的不朽成就作出了重要贡献。金丹意象的艺术价值,从文学到哲学,在有形与无形中,体现出古代文人对于自身命运的现实思考以及对于超验世界的审美探索。Taoist culture has a profound influence on Chinese literature creation,and a large number of images related to it have emerged in Chinese classical poetry.As one of the most frequently appearing images,“golden elixir”often has a certain degree of religious mystery when used in literary works.The concept encompasses rich artistic philosophy and aesthetic metaphors,expressing the ancient literati's longing for immortality,their serene and graceful temperament,as well as their cosmological perspective on the universe,and makes an important contribution to the immortal achievement of immortal poetry and hermit poetry.The artistic value of the“golden elixir”imagery,from literature to philosophy,reflects in both tangible and intangible ways the ancient poets'realistic thinking about their own destiny and their aesthetic exploration of the transcendental world.

关 键 词：金丹 意象 道教文学 

分 类 号：I206[文学—中国文学]