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作 者:陈剑[1] 孙丽娜 Chen Jian;Sun Lina(Guangdong University of Technology,Guangzhou 510006;Zhanjiang University of Science and Technology,Zhanjiang 524088)
机构地区:[1]广东工业大学,广州510006 [2]湛江科技学院,湛江524088
出 处:《新疆艺术学院学报》2023年第4期57-65,共9页Journal of Xinjiang Arts University
基 金:广东省哲学社会科学项目“艺术·革命·宣传——20世纪广东漫画史研究”(项目编号:GD19CYS05);2020年“创新强校工程”项目“20世纪广东漫画艺术史研究”(项目编号:CJ20CXQX003)阶段性成果。
摘 要:漫画是抗战的重要“武器”,也是抗战革命史的“图像记录者”。本文基于抗战宣传的使命与任务视角,研究广东二十世纪三四十年代的漫画艺术。首先就漫画最本质的“宣传”特质出发,梳理广东漫画艺术的抗战源史,厘清其大致发展脉络。其次以广东多元的、多样的漫画宣传景观为内容,进行深入的类别化的分析研究,研究各种不同的抗战宣传方式,并肯定不同的方式在抗战过程中起到的不同作用和效果。随后选取广东漫画艺术家的个案——廖冰兄的漫画艺术及其革命宣传实践进行研究,就其个人漫画创作经历以及抗战宣传过程深入剖析,揭示其漫画作品中所蕴含着的革命理想与宣传特性,以揭示其人及其作品在抗战宣传中的作用与价值,从而构建起广东抗战漫画宣传的独特“风景”。Comics used to be an important"weapon"during the Anti Japanese War and also a"visual"recorder of the revolutionary history of Chinese people in the War.From the missionary perspective of publicizing Chinese people in their fight against Japanese invaders,this paper explores the comic art of Guangdong in the 1930s and 1940s.Firstly,starting from the most essential characteristics of comics--publicity,the paper sorts out the theme of fight against Japanese invaders expressed in the comics and clarifies its general development context.Secondly,focusing on the diverse comic publicity content in Guangdong,the paper makes an in-depth and categorical analysis and research,exploring various publicity methods used in the fight and recognizing the different roles played by adopting different methods.Finally,the paper presents a case study of Guangdong comic artist Liao Bingxiong,and his comic art and revolutionary publicity practice.With an in-depth analysis of his comic creation experience and publicity story,the paper reveals the revolutionary ideals and publicity characteristics contained in his comic works,highlights the role and value of his personality and works in the war against Japan,and thus constructs an unique"corner"of Guangdong comic publicity.
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