20世纪80年代诗歌主潮:从“朦胧诗”到“第三代诗”  

Poetry Mainstream in 1980s:From"Misty Poetry"to"The Third Generation Poetry"

作　　者：谭五昌[1] TAN Wu-chang(School of Chinese Literature,Beijing Normal University,Beijing 100875,China)

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《井冈山大学学报（社会科学版）》2023年第6期74-81,共8页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金项目“中国新时期诗人中的精神危机及其拯救研究”(项目编号:13BZY124)。

摘　　要：20世纪80年代是中国当代诗歌发展的繁荣时期,其中,以青年诗人为主体的具有探索性、实验性、先锋性特质的“朦胧诗”(“新诗潮”)与“第三代诗”成为20世纪80年代诗歌主潮,它们给此一时期的诗坛带来了诗学观念与美学趣味的巨大冲击和“革命性”变化,同时对应性地出现了大量优秀与杰出的诗歌文本。“朦胧诗”与“第三代诗”作为一种诗歌潮流在20世纪80年代的相继涌现,从外部来看,与当时的社会文化语境的变化与转型关系密切,而从内部打量,则极为鲜明地体现出“朦胧”诗人们与“第三代”诗人们在诗学观念与美学趣味上的代际性差异。The 1980s has witnessed a prosperous period for the development of Chinese contemporary poetry.During this period,"Misty Poetry"("New Poetry Trend")and"The Third Generation Poetry"composed by young poets with exploratory,experimental,and avant-garde features became the mainstream of the 1980s poetry,bringing a huge impact and revolutionary change in the poetry field,which correspondingly led to the emergence of a large number of excellent poetry.From an external perspective,the successive emergence of"Misty Poetry"and"The Third Generation Poetry"as a poetic trend in the 1980s was closely related to the changes and transformations of the Socio-cultural context at that time.While internally.it also reflects the intergenerational differences between the poets of"Misty"poets and"The Third Generation"in terms of poetic concepts and aesthetic tastes.

关 键 词：80年代 诗歌主潮 朦胧诗 第三代诗 

分 类 号：I207.2[文学—中国文学]